The Human Monster: Writing Complex Villains
Multidimensional villains are key to creating memorable and compelling fiction. Antagonists that posses intricate motivations, detailed backstories and psychological depths elevate them beyond simple caricatures of "the bad guy." I don't know about you, but a well-written and well-rounded villain can often lead me to root for them above the hero, but it's a delicate thing to handle. Here are a few things you can try if you're attempting to give your villain a complex narrative of their own:
Just like the hero, the villain must have a motivation for doing what they're doing, otherwise their villainy rings hollow. Multidimensional villains often have complex motivations that go beyond the notions of good vs evil. They might have experienced a significant trauma or personal loss, which drives them to seek revenge or power. Their motivations can also stem from a distorted sense of justice or a twisted worldview shaped by their past experiences. These multidimensional motivations make the villain more relatable because they tap into universal human desires or fears - they just taken them to extreme levels.
If somebody asked you why your villain is a villain, you should be able to answer them clearly and concisely. Effective villains have well-developed backstories that reveal their origins and provide insights into their motivations and psychological makeup. By exploring your villains' upbringing, relationships, successes and - more importantly - failures, you can shed light on their journey from a victim to a villain. This is a great way to add layers to your villain's character, making them more empathetic or understandable (even if their actions are despicable).
The psychological depths of multidimensional villains are crucial in creating memorable antagonists. Understanding the psychological aspects of their personality can help explain their choices and actions. It's often effective to explore their fears and insecurities, and highlight their obsessions, as this can manifest their villainous actions.
Take a villain haunted by their own mortality. They might resort to horrific means to achieve immortality. By digging into their psyche, you can create a sense of complexity and make your villain's actions more than just mindless evil.
It's important to give your villains the opportunities for character development. Just as your hero shouldn't be the exact same person they were at the start of your story, your villain must show some type of progression too, to keep them compelling. They should also evolve over the course of the story, revealing hidden facets of their personality or experiencing internal conflicts.
As the plot unfolds, their motivations and psychological depths can be explored further, showcasing growth or deterioration. This character development allows the audience to engage with the villain on a deeper level and adds a sense of unpredictability to their actions.
Multidimensional villains often exist in a morally ambiguous space, blurring the line between right and wrong. They might have justifiable grievances or be driven by a warped sense of morality that they genuinely believe in. By creating morally complex villains, you can challenge your readers to question their own beliefs and consider the shades of gray within the narrative.
To create truly memorable antagonists, multidimensional villains must possess a combination of intriguing motivations, detailed backstories, psychological depths, character development and moral ambiguity. These elements work together to form a three-dimensional character that goes beyond the traditional role of a generic antagonist. When readers can empathise, understand, or even be disturbed by the villain's actions, they become more invested in the story, leading to a lasting impact.
Here are some examples of well-known, multidimensional villains in pop culture:
Hannibal Lecter - "The Silence of the Lambs" by Thomas Harris.
Sauron - "The Lord of the Rings" trilogy by J.R.R. Tolkien.
Iago - "Othello" by William Shakespeare.
Nurse Ratched - "One Flew Over the Cuckoo's Nest" by Ken Kesey.
Count Dracula - "Dracula" by Bram Stoker.
Professor Moriarty - Sherlock Holmes stories by Arthur Conan Doyle.
Ahab - "Moby-Dick" by Herman Melville.
Long John Silver - "Treasure Island" by Robert Louis Stevenson.
Patrick Bateman - "American Psycho" by Bret Easton Ellis.
Kurtz - "Heart of Darkness" by Joseph Conrad.
Darth Vader - "Star Wars" series.
Hannibal Lecter - "The Silence of the Lambs" and its sequels.
The Joker - "The Dark Knight".
Norman Bates - "Psycho".
Anton Chigurh - "No Country for Old Men".
Michael Corleone - "The Godfather" trilogy.
Keyser Söze - "The Usual Suspects".
Nurse Ratched - "One Flew Over the Cuckoo's Nest".
Loki - Marvel Cinematic Universe.
Hans Landa - "Inglourious Basterds".
These are just a few examples of multidimensional human villains or monsters from literature and film. They showcase the intricacies and complexities of these characters, making them memorable and compelling in their own unique ways.
Can you think of any other multidimensional villains that I didn't include on these lists? Drop me a comment below!